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Easan - Movie Review



Easan - Movie Review 
CastSamudrakani, A.L. Alagappan, Vaibhav, Abinaya , Aparna
BannerCompany Productions
DirectorSasikumar
MusicJames Vasanthan
CinematographySR Kathiir
EditingRamesh
Release Date17.12.2010
Director-actor Sasikumar has always been a trend setter in Kollywood. Whether in his pathbreaking Subramaniapuram or the racy Naadodigal, he has always proved that a good script is more important than a big star cast. The specialty of Sasikumar is his eye for detail and the inspiring screenplay. With Easan, Sasikumar is back in his favourite area: direction. The interesting thing about Easan? Its huge star cast. There is no particular hero or heroine in the film; all are just characters.
What is it about?
Easan is about a rich spoilt brat Chezhian (Vaibhav), his corrupt politician dad Deivanayagam (AL. Azhagappan) and an honest police officer ACP Sangaiya (Samuthirakani).
The film also tells the story of Reshma (Aparna), only daughter of a big industrialist in Bangalore, Poorni (Abhinaya), a village girl who aspires to become a fashion designer and another mysterious character.



Aparna



THE PLOT
The film opens with the beautifully shot pub song 'Inda Iravu Daan Pogude' (Sukhwinder Singh's voice is a treat). Suddenly, a girl (on a two wheeler) is being chased by a group of drunken boys at night, which ends in an accident; the girl dies on the spot. The police take the boys into custody and ACP Sangaiya (Samuthirakani) files an FIR against them. Now Chezhian (Vaibhav), only son of minister Deivanayagam (AL. Azhagappan) comes to their rescue. ACP Sangaiya is helpless, but has to obey the orders of his higher authorities.
Chezhian comes across Reshma (Aparna) and it is love at first sight for him. When Chezhian rescues Reshma from a rave party raid, she is also smitten by him. But there is a twist in the tale. Chezhian gets kidnapped suddenly, ACP Sangaiya starts his investigation, which is followed by some new twists and a gruesome flashback! Who kidnapped Chezhian? Why? Easan has the answers! Remember, apart from all these people, there is one mysterious character in the film, in fact a new entrant to Kollywood!
THE PERFOMANCES
Its Samuthirakani all the way: he looks fit and perfect for the role of a cop. Azhagappan, Namo Narayana and Blessy have given brilliant performances. Vaibhav, Abhinaya (she plays the role of a dumb village girl), the mystery man (we don't want to reveal the character, as it spoils the entire plot of the film) and Aparna are not far behind either. Sasikumar's knack of choosing the perfect star cast is definitely an asset. He did it in Subramaniapuram and now again in Easan. Interestingly, there are no lead pairs in Easan; it's only characters and not even a single talent is wasted.
The Story
Sasikumar's casting is 100% perfect. Audiences might compare Easan with the director’s debut and will find that the story and screenplay lack the spark of Subramaniyapuram. The film is basically about the modern lifestyle and Chennai city's night life.
Interestingly, whatever is lost in the first half is gained in the second  half, which is an edge-of-the-seat thriller. The second half also has some interesting and unexpected twists, which includes Abhinaya's village flashback, the introduction of the mystery man, Samuthirakani's racy and smart investigation. In Tamil, Lord Shiva is also referred as Easan and even in this film, there is a mysterious character which destroys evil!
The Techniques
James Vasanthan's music is one of the biggest highlights of the film and the song 'Inda Iravu Daan Pogude' stands out. He has mixed a western touch in local music which is interesting. S.R. Kathiir's camerawork is brilliant; both the Chennai night life and village sequences have been shot beautifully. The opening discotheque song is a treat to watch. However, editing by Ramesh could have been better as many scenes in the first half are very lengthy and clichéd.
THE VERDICT
Erase Subramaniapuram from your mind, Easan tells the tale of the dark urban lifestyle with some interesting twists.

Vikalp


Deepal Shaw
 
Producer: Mr. Parmeshwar Vyas,Subhash Dudani,Keshar K. Shinde
Director: Sachin P.Karande
Cast: Deepal Shaw, Akshay Singh, Kranti Prakash Jha, Alok Nath, Chetan Pandit, Nirmal Pandey, Onkar Shinde, Abhijit Lahiri, Pankaj Berry, Jyoti Joshi, Abhay Joshi
Writer: Vishal Vijay Kumar
Singers: Sunidhi Chauhan, Shaan, Neera Joshi, Ashish Om, Vishwas
Music: Dev Sikdar
Lyrics: Dev & Kukoo Prabhash
Release Date - January 7, 2011

Synopsis

Rishika Gandhi, a docile, middle class & Marathi girl from am orphanage in Kolhapur is a sot of prodigy in the field of computer education. She lands up in a job with a respectable IT company in Mumbai because of her exceptional talent. Some goof up happens during her tenure as the code developer in the company. Rishika through her sheer genius wins over that hurdle and proves her detractors wrong but is so heart broken after that insult that she resigns from her job. At the same time her personal life too gets a jolt from the blue when the very affluent family of her five year old boy friend, suddenly discovers about their love affairs & visits her at her hostel room and blames her for using their son for seeking financial security for her. Humiliated & heart broken, Rishika ultimately decides to leave India and takes up the offer from another Bangkok based software company.

Rishika thought that Bangkok was a great refuge from all her troubles in India but she was wrong. Within a couple of months of working there she realizes that she is caught in a network of internet criminals' and she was being used as a hacker in the name of software developer. Her passport and other documents are with the company only, when she decides to escape that network. Very soon she realized that leaving Bangkok against the wishes of those powerful criminals was not that easy. She is given a false identity of a criminal and she had nothing & no one on her side to prove that she is Rishika Gandhi. The technology through which she wanted to make an identity of her own ultimately has taken away her identity itself. It seems like an impossible to win battle for this timid, shy & low on self esteem girl. How Rishika wins her internal & external weakness to face the greatest challenge of her life using her education and will power makes up the highly moving and inspiring climax of the story...

Return of parallel cinema?

For every big budget tidal flop - Kites, Guzaarish, Raavan, Veer, Kheley Hum Jee Jaan Sey, there was one small Love Sex Aur Dhokha, Peepli Live, Tere Bin Laden, Phas Gaye Re Obama that clicked to balance the tide. Did 2010 see the return of parallel cinema? 

Cinema can be a perennial David vs. Goliath battlle. In India it is between the all pervading Bollywood and its indie cousin that was known as parallel cinema in the '70s. While the movement died down quietly, there has been a resurrection of sorts as the worst year ever for Bollywood has coincided with the best year for indie cinema in decades spreading waves of cheer for cinema lovers. 

Here's a list of a few that raise cheers, chuckles and cognition at the box office. 

Love, Sex Aur Dhokha: If Anurag Kashyap is the king of Indian indie cinema, Dibakar Banerjee is the Prime Minister. Not a man to mince words or get vitriolic, he believes in delivering one masterpiece after another. 2010 saw one such film that will go down in history for being something no film has ever done, not even its loose inspiration Look. Imagine this simple detail that the actors in the film were also its cameraperson. What is great about the three different but loosely connected stories made for a paltry Rs 1.5 crore is the team effort. Right from writer Kanu Behl to casting director and workshop coordinator Atul Mongia to the brilliance of editor Namrata Rao, and the riveting performances, this was a show stealer that not only shocked audiences but was rooted in the reality of the nation where honour killing is as common an occurrence as sex tapes and the casting couch. 

That it came from soap queen Ekta Kapoor's stable, was perhaps the greatest shocker of all. 

Tere Bin Laden: Fun, quirky and satirical in equal measure, Tere Bin Laden tickled the funny bones of its audience till it turned sore. Popular Bollywood wisdom states that the formula for success is that a film should be set or shot in Switzerland, New York or London. Now imagine one set in rural Pakistan shot amidst chicken about a dim-witted poultry farmer starring a Pakistani singer in the lead, and you will understand why this film has brilliance written in all caps. Spearheading the project was a debutante kid Abhishek Sharma who managed to marry humour with universal satire that also courted success despite a paltry budget. This film was enough to inspire a decaying, dying, commercialised industry. 

Peepli Live: It had to be the most cerebral of the Khans who'd understand the rapid shifts in audience perception when he wholeheartedly lent his Midas touch to Peepli Live. Brilliantly directed by ex-journalists and debutante directors Anusha Rizvi and Mahmood Farooqui, it is a powerful satire along the lines of Billy Wilder's Ace in the Hole that had audiences giggling and shedding copious amounts of tears in equal measure. Aamir Khan's promotional skills are erroneously credited by many for the success of this film; however, looking at the kind of films that hit the jackpot in 2010, one feels that the film would have worked even without AK. Hence, the truth is perhaps different with Peepli Live proving to be the training ground for the Bollywood superstar to understand the tactics of promoting an indie film, considering that wife Kiran Rao's Dhobi Ghat is the most awaited indie of 2011. 

Udaan: This tale of a rebellious spirit came to life after being promoted by the other AK and quintessential rebel of Bollywood: Anurag Kashyap. Kashyap put his heart, soul and mentoring power behind debutante Vikramaditya Motwane's coming of age film set in small town India. It featured stellar performances, especially those by Ronit Roy and Ram Kapoor. That last scene, where the boy finally manages to outrun his father, paid subtle homage to François Truffaut's The 400 Blows and perhaps foretold how the indie rebels of Bollywood would break free from the domination of a disparaging mainstream in 2010. 

Phas Gaye Re Obama: Funny films are many. Satires are rare. But one that manages to walk the middle path while making a powerful statement about the world is a rarity. Subhash Kapoor did just that with PGRO, a film that was grounded in real life instead of floating in limbo – like most other Bollywood films. 

Leaving Home: Jaideep Varma's long-in-the-making documentary about India's most popular band Indian Ocean may have run to empty houses but it became the first non-fiction Indian film to get a national release. Leaving Home is not just about a band but a testament to middle class struggles, aspirations, failures and successes, as epitomised by the band members. It is India's coming-of-age-as-a-nation film. The brilliant Asheem Chakravarty who died last year, came back to life once more to the delight of audiences. A five hour version of the same released this month, is bound to climb the DVD best sellers charts. 

Worthy Contenders 
The best thing about 2010 is that indie films in theatres was not an exception, but a rule with the other equally brilliant films being: Do Dooni Chaar, Khichdi, Daayen Ya Baayen, For Real, Striker etc. All of them have one thing in common: each of them borrow from the reality around becoming slices of Indian life, instead of fantasy.

Selva, Yuvan come together again in Irandam Ulagam

One of the wining combos of Tamil cinema, director Selvaraghavan and music composer Yuvan Shankar Raja is now coming together once again, for a film titled ‘Irandam Ulagam’. Interestingly, the movie will have Dhanush in the lead along with whom Selva and Yuvan dished out hits like ‘Thulluvadho Ilamai, ‘Kadhal Konden’ and ‘Pudupettai’.
Confirming this, the music composer says, “Yes, me and Selva are getting back together. I heard the script of ‘Irandam Ulagam’ with Dhanush in it. Lot of work to do as usual. Happy and excited.”
In the meantime, Yuvan is getting ready for his first ever music concert in Chennai, which is scheduled on January 16. “Just saw the promo video for my concert. I have no words to express. Really happy,” he says.

Kamal Haasan deletes the controversial song in Manmadhan Ambu




Kamal Haasan in a statement to his fans stated that he has deleted the song which had hurt the sentiments of Hindus. In the statement Kamal Haasan has mentioned:

I have come to know that a song which I have written for Manmadhan Ambu has hurt the feelings of the Hindus. The Censor Board who has censored this film has also permitted this song since this does not have any lines that would hurt the feelings of anyone. This song was also telecast in Vijay TV three times and had a good reception. I would have released this film with the song with the Censor Board certification if the film was produced by me. This is Red Giant Movies film. Since this film is being produced by Udhayanidhi Stalin and should be viewed by members of all religions, we had come forward to delete this song though thousands of people have enjoyed this song.
In my family there are Vaishnavites, Saivites, Muslims and Christians. Most of them are believers. They are not like me. I am a rationalist and atheist. It is like that and it will continue to be so.
Manmadhan Ambu is a business. That also it is another person’s business. I am only an artist. I am not new to political obstacles. This film was made with the intention to entertain. So I have made this decision to sacrifice this song for it should not die in this turbulence of religion and politics.

Manmadhan Ambu – Movie Review

Kamalhasan And Madhavan


நடிப்பு - கமல்ஹாஸன், த்ரிஷா, மாதவன், சங்கீதா, ஓவியா
ஒளிப்பதிவு - மனுஷ் நந்தன்
இசை - தேவி ஸ்ரீ பிரசாத்
கதை - திரைக்கதை - வசனம் - பாடல்கள் - கமல்ஹாஸன்
இயக்கம் - கே எஸ் ரவிக்குமார்
தயாரிப்பு - உதய நிதி ஸ்டாலின்
பிஆர்ஓ - நிகில்

கமல் - கேஎஸ் ரவிக்குமார் கூட்டணியில் வந்திருக்கும் நான்காவது படம் மன்மதன் அம்பு. திரைப்பட உருவாக்கத்தில் புதிய பரிமாணம் இந்தப் படம் என்றால் மிகையல்ல.

அம்புஜாக்ஷி எனும் நிஷா (த்ரிஷா) ஒரு பிரபல நடிகை. அவருக்கு ஒரு பணக்கார காதலன் மதன் (மாதவன்). இந்தக் காதலுக்கு வேட்டு வைக்கிறது மதனின் சந்தேக புத்தி. காதலி சரியானவளா என்பதை துப்பறிந்து சொல்ல மேஜர் மன்னாரை (கமல்ஹாஸன்) நியமிக்கிறான் மதன். நண்பனின் கான்சரை குணப்படுத்த வேண்டி இந்த அஸைன்மென்டுக்கு ஒப்புக் கொள்கிறார் மன்னார். (மன்-கமல், மதன் - மாதவன், அம்பு - த்ரிஷா... பெயர்க் காரணம் புரிஞ்சிடுச்சா!).

நிஷா தன் பள்ளித் தோழி தீபாவின் (சங்கீதா) அழைப்பின்பேரில் வெனிசுக்குப் போகிறார். மன்னார் பின் தொடர்கிறார். நிஷாவைப் பற்றி உண்மையான விஷயங்களை மதனுக்கு ரிலே பண்ணுகிறார். அவையெல்லாமே நிஷாவை உண்மையானவளாகக் காட்ட, பணம் தர மறுக்கிறார் மதன். இதனால் பொய்யான விஷயங்களைச் சொல்ல ஆரம்பிக்கிறார்.

இந்தக் காதல் கடைசியில் என்ன ஆனது... கமலும் த்ரிஷாவும் என்ன ஆகிறார்கள் என்பது மீதிக் கதை.

கமல் நடிப்புக்கு புதிதாக சான்று தரத் தேவையில்லை. அசத்தலான அறிமுகக் காட்சியில் ஆரம்பித்து, அவர் வரும் அத்தனைக் காட்சிகளிலும் பார்வையாளர்களை வசப்படுத்திவிடுகிறார். குறிப்பாக அந்த பிளாஷ்பேக் காட்சியில் பிரமிக்க வைக்கிறார் கமல்.

த்ரிஷாவுக்கு வெகு அழகாகப் பொருந்துகிறது இந்த வேடம். விண்ணைத் தாண்டி வருவாயாவில் பார்த்ததை விட இன்னும் அழகான த்ரிஷா.

மாதவனுக்கு சற்று வில்லத்தனம் கலந்த ரோல். அம்மாவின் பேச்சைக் கேட்டு காதலியைச் சந்தேகப்பட்டு காதலை இழக்கும் காட்சிகளில் சிறப்பாக செய்திருக்கிறார்.

ஆனால் இவர்களையெல்லாம் தூக்கிச் சாப்பிடுகிறார் சங்கீதா. இரண்டு குழந்தைகளுக்கு தாய், ஆனால் விவாகரத்தான இளம் மனைவி... இந்த ரோலை இவரை விட தத்ரூபமாக வேறு யாரும் செய்திருக்க மாட்டார்கள்.

ஓவியா, உஷா உதூப், ரமேஷ் அரவிந்த், ஊர்வசி என நிறைய நடிகர்கள், சின்னச் சின்ன பாத்திரங்களில் வருகிறார்கள். சூர்யா கவுரவ வேடத்தில் வந்து த்ரிஷாவுடன் ஒரு பாட்டுக்கு ஆடுகிறார்.

தொழில்நுட்ப ரீதியில் இந்தப் படம் மகா நேர்த்தி. ஒளிப்பதிவு, இசை, எடிட்டிங் போன்றவற்றில் சிறப்புக் கவனம் செலுத்தியுள்ளனர். குறிப்பாக தேவி ஸ்ரீ பிரசாத் கடுமையாக உழைத்திருப்பது தெரிகிறது. நீலவானம் பாடல் ஈர்க்கிறது.

நடிகர் கமல்ஹாஸனை பல காட்சிகளில் ஓவர்டேக் செய்கிறார் திரைக்கதை எழுதிய கமல்ஹாஸன். முதல் பாதியில் கமல்ஹாஸனின் அக்மார்க் அறிவுஜீவித்தனம் எட்டிப் பார்க்கிறது. ஆனால் இரண்டாம் பாதியில் பக்கா ரவிக்குமார் படமாக பயணம் தொடங்கிவிடுகிறது.